1.In what ways can Michel Foucault’s notion of sexuality as
presented in The History of Sexuality help us understand
Chimamanda Adichie’s Half of a Yellow Sun ?
2. Using the films Mrs. Dalloway, The
Lover, and Rashomon, can you show how a multiplicity of
points of view allows for a less oppressive idea of the
Other?
3. Using as many examples from the novels, films and film clips
we watched in class, particularly from Madame
Bovary and Rashomon, can one say that the transfer of a
confession from print to screen, affects its content and
meaning ?
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